Almost all of the paintings in the Trumpet Parts Series have been closed-form, closed-value paintings.
The colors and values are limited by the boundaries of their shapes, creating paintings more decorative than realistic. I found it easier to experiment with the color schemes by first creating an ink drawing of closed shapes, then painting the shapes with flat washes of full-saturation color based on a twelve hue color wheel.
With only five more paintings to go in this series, I am already turning my attention to the next series for my morning, wake-up paintings, Family Treasures. My goal will be to include open-form, open-value paintings that include a broader expression of the color scheme by including more neutral color mixes and saturation levels.
Sketchbook painting: drawn first with fountain pen, followed by watercolor.