paintings


As you have noticed, I’m not posting very often on this blog anymore.  My schedule and my focus have shifted.  I’m spending more time traveling, teaching and painting in the studio.

Dip Pens in a Goya Tin

Dip Pens in a Goya Tin

Please remember that most of my blog posting will be done on my website blog rather than here or on my Third Time Around Blog.  Please subscribe to the website blog and/or the monthly newsletter if you want to continue to follow my adventures and musings.  Link to Website Blog …… Thanks!

Image: Dip Pens in Goya Tin, drawn first in ink with fountain pen, followed by watercolor washes, Color Scheme- Analogous with Split Complements.

A new way to explore when traveling…. or even at home…. Nine Squared Walk’n’Draw!

The results of the Walk'N'Draw

The results of the Walk’N’Draw

It was time for me to make up a new game to play.  I’m now working on Design and Temperature.  In Susan Abbott’s workshop earlier this year, she emphasized the order of priorities when painting….. First comes Shapes, then Values, then Temperature and lastly, Color.  With that in mind, I used the concept of my video “Twenty Steps” to create the new game I’ve titled Nine Squared.

Basic Materials to walk with

Basic Materials to walk with

Before the walk, I drew a grid of nine rectangles on nine sheets of watercolor paper.  All I needed to bring with me were the sheets of paper, a mechanical pencil, a waterbrush, a mini Altoid tin with warm and cool pigment (I only needed two pans, not all three that are shown above) and my leather folder that I use as an easy-to-hold drawing surface that doubles as a folder to carry the paper.

Pencil sketch not shown

Pencil sketch not shown

I begin the walk, taking Nine times Nine steps in any direction (Eighty one steps).  I stop, choose a composition, snap a photo and start my timer for nine minutes.  In those nine minutes I determine my shapes and repeat them in two more rectangles.  I leave one as the pencil drawing, paint the second as a value sketch in browns and the third as a temperature sketch in warm and cool pigment.

Like any of my games, I allow myself to break the rules on a regular basis.  I do not stop in the middle of a busy street just because I’ve reach step number eighty-one.  If there is a nice place to sit in the shade and I reach it at step seventy-three, I stop and sit down.  If I need twelve more steps to get to a nice shady spot, I take those extra steps.  The rules are simply a guide to force me to be more observant of every spot I pass through and to determine warms and cools to create stronger design.

Images:  small en plein air watercolor sketches in Mountain View, California

On September 26th and 27th I’ll be teaching another Color Scheme Game/Color Value Workshops at RileyStreet Art Supply in Santa Rosa.  On September 28th and 29th I’ll teach Watercolor Techniques at the art story.  Online registration is open on my website: ChrisCarterArt.com.

Orbs No. 20 - Watercolor - 12" x 18"

Orbs No. 20 – Watercolor – 12″ x 18″

I’m looking forward to spending time with new students and traveling a bit with former students who will be sharing some of their favorite en plein air painting spots with me.  I’ll do my best to post a few of our color adventures while I’m away.

Image:  Orbs No. 20 , watercolor, 12″ x 18″, created using flea market trash as templates applying paint with a mouth atomizer.  Color Scheme: Extended Analogous.

A fabulous solution for framing large watercolors!

Orbs No. 24 – Waxed Watercolor diptych
Two 19″ x 48″ panels

Thanks to my friend Joanie Springer (artforthesoulofit.com), I will have at least a dozen extra large watercolors hanging in the upcoming solo exhibit of Healing Art at Overlook Hospital in November.  Joanie works in gouache.  Her paintings look like oil paintings, especially because she waxes them rather than matting them and framing them under glass.  I am at the point where I want to spend my time and energy painting rather than cutting mats, glass and plexi for the larger works for exhibits.  In addition, I would rather spend my money on traveling than on mat board, glass and plexi.  the solution?  Dorland’s cold wax!  Everyone loves it.  No reflection!  Beautiful finish as well as protection….. and light weight for hanging.  What could be better?  thank you Joanie!

Painting:  Orbs No. 24, diptych, Waxed Abstract Watercolor

The orb paintings are piling up nicely in the studio.

Orbs No. 21 - 22" x 30" Watercolor

Orbs No. 21 – 22″ x 30″ Watercolor

The series is taking on a diversity that I didn’t expect and I’m pleased with the way it is shaping up.  Orbs No. 21 has less layers than some of the others, yet the illusion of space is still strong.  I wanted the blues and greens to dominate and the tiny bits of red to create powerful dynamics without being overbearing.

I now have plenty of paintings for the Healing Arts Exhibit at the Bouras Gallery in Overlook Hospital that begins at the end of October.  I hope to have twice as many as I need so that I can pick the strongest to hang in the show.

Color Scheme:  Analogous with one complement.

The cicada I sketched didn’t last too long after I returned it to the wild.  The next day I found its wings in the driveway.

cicada-wings-ink-watercolor-drawing-chris-carter-artist-060713-webThe cicadae mating song can reach over 100 decibels, the loudest song known in the insect world.  “The adult male cicada possesses two ribbed membranes called tymbals, one on each side of its first abdominal segment. By contracting the tymbal muscle, the cicada buckles the membrane inward, producing a loud click. As the membrane snaps back, it clicks again. The two tymbals click alternately.”

Here is the ink drawing shown in the last post …. now painted using an analogous with one complement color scheme.

17 year cicada

17 year cicada

Finally, after far too long, I am offering online critiques and private lessons….. visit my website for information and sign up.

I hope, within the next month, I will be able to offer The Color Workshop as an online option.

Thanks for your patience.

Images:  Drawn first with ink using a fountain pen, followed by watercolor.

Coming up soon!  Both The Color Scheme Game Workshop and the Color Value Workshop is being offered back to back at the National Association for Women Artists in New York City on June 18th and 19th.  Call the N.A.W.A. office to register (212) 675-1616.  Space is limited to eight students.

Raw Sienna, Cadmium Red Deep and Ultramarine Blue

Raw Sienna, Cadmium Red Deep and Ultramarine Blue

Since teaching the last workshop at N.A.W.A. I have had several personal breakthroughs with color, experimenting with more neutralized primaries and discovering gorgeous palettes.  I also attended a fabulous workshop with Don Andrews.  Again, I experienced several important breakthroughs regarding maintaining strong color when working with color value.  I’ll be sharing these breakthroughs at the upcoming workshops in New York City.

Herman's Roping Boots

Seashells, Westmoreland State Park, VA

Seashells, Westmoreland State Park, VA

Seashells No.3, Myrtle Beach, SC

Seashells No.3, Myrtle Beach, SC

Blue Crab Belly

Blue Crab Belly

Click here for more info and materials list.  Please Contact me if you have questions.

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