Watercolor Paintings


Back in the studio opening up all my leftover cans of worms…

"T" - watercolor painting 22" x 30"

“T” – watercolor painting 22″ x 30″

As wonderful as a clean and orderly studio is, it’s terribly intimidating and resistant to what I need to do in its clean and orderly space.  I dragged out six of the 22″ x 30″ watercolors I started prior to moving out of my wonderful, giant studio with natural light that flooding in through huge windows.  I had the first three layers of thrown paint on the six sheets of watercolor paper.

I’ve come a long way since I threw that paint.  My color sense has taken a severe swerve away from where it was.  What I want from a painting now is far more than I have ever wanted before.  I panicked, then started to throw paint.  This time I chose the hue and value carefully.  I varied the marks with brush, scraper and my breath…..  splatter, splat, blow, flick, drop, scrape…. let dry…. flatten….. and then begin the cycle again.  I had no expectations of having a resolved piece of work for at least a couple of days.  The world is often full of surprises!

Watercolor Painting: “T”  – 22″ x 30″ watercolor

Coming up soon!  Both The Color Scheme Game Workshop and the Color Value Workshop is being offered back to back at the National Association for Women Artists in New York City on June 18th and 19th.  Call the N.A.W.A. office to register (212) 675-1616.  Space is limited to eight students.

Raw Sienna, Cadmium Red Deep and Ultramarine Blue

Raw Sienna, Cadmium Red Deep and Ultramarine Blue

Since teaching the last workshop at N.A.W.A. I have had several personal breakthroughs with color, experimenting with more neutralized primaries and discovering gorgeous palettes.  I also attended a fabulous workshop with Don Andrews.  Again, I experienced several important breakthroughs regarding maintaining strong color when working with color value.  I’ll be sharing these breakthroughs at the upcoming workshops in New York City.

Herman's Roping Boots

Seashells, Westmoreland State Park, VA

Seashells, Westmoreland State Park, VA

Seashells No.3, Myrtle Beach, SC

Seashells No.3, Myrtle Beach, SC

Blue Crab Belly

Blue Crab Belly

Click here for more info and materials list.  Please Contact me if you have questions.

20130506-152524.jpg
Joanie caught my fever for painting outdoors as well as my attraction to the infinite variety of shapes that pipes and faucets draw upon the landscape. She suggested we paint the faucet outside her laundry room.
I drew it on site and painted it when I returned to Mountain View. I used an analogous color scheme with slit complements indicated by the color scheme game.
Drawn first with ink followed by watercolor.

(1. ) Matted, framed and dropped off paintings for solo exhibit at Connexions Gallery in Easton, PA …. done  (2.) Picked up paintings from exhibit in Brooklyn … one sold! …. done (3.) Figure out how to film, edit and post short art videos for my students …. still a long way to go to get better, but done.  The list goes on.  Fortunately, all but a few items on the current Art Business list are checked off.  Today the list will grow again, but last night I felt the pressure was off.  I laugh when people envy my life as an artist thinking that I have all the time in the world to do exactly what I want to do.  My life as an artist definitely is enviable, but not for that reason.

Pete's Angel playing to a lame audience

Pete’s Angel playing to a lame audience

What might be envied is the joy of curling up in a comfy chair, a warm breeze crossing the room, the sound of gentle rain with an occasional flash of lightning, fountain pen in hand, drawing two of my constant companions, the little garden angel given to me by my friend, Pete, and my skeleton, Henry.  They keep each other company beside the fireplace in the living room.

Why post this random though on Creative Color?  Because I am still exploring the beauty of the neutrals I can achieve with that ugly pigment, Cadmium Red Deep!  I began my intense study of color three, almost four years ago so that I could bring more full intensity, highly saturated color into my paintings.  That mission has been accomplished and I am enjoying full intensity hues more than I imagined possible.  Now I am going deeper into the world of beautiful color and playing with neutrals.  Without realizing it, most of my daily sketchbook paintings, though rich in color and value, do not use any of the three pigments in full intensity.  All of the colors applied to the drawing are mixes of all three primary pigments in my limited palette of raw sienna, cadmium red deep and ultramarine blue.  This is my third week exploring this palette and I like it more each day.  Though I’m excited about whatever my next three primaries might be, I can’t seem to leave this palette behind.

Image:  Drawn first in ink with fountain pen, followed by watercolor.

For those of you who live within driving distance of Santa Rosa, California …. I will be teaching workshops at both Village Art Supply (April 25th & 26th) and Riley Street Art Supply (April 27th & 28th)  Please contact me if you would like more info!

Link to short art videos:  Vimeo.com/ChrisCarterArt/

Link to Website Blog: ChrisCarterArt.com/blog/

While preparing for the recent watercolor demonstrations I’ve been doing, I cut open the tube of Cadmium Red Deep that I never use.  I don’t use it because I think it is as ugly as Cadmium Red Light is beautiful.  After making the Color Scheme Game color wheel using Cad Red Deep as my primary red, I discovered the potential of beauty within that color I deemed as ugly.

No. 1 - Artist Trading Card - Watercolor

No. 1  – Watercolor – 2.5″ x 3.5″

This limited palette of raw sienna, cadmium red deep and ultramarine blue produces lovely neutrals.  The watercolor demos are over for the next two months, but I continue to use this odd palette.  In fact, I have replaced a dozen of the paintings I originally planned to hang in the upcoming solo exhibit at Connexions Gallery with new paintings created with this palette.  I can’t help but be reminded of the story The Ugly Duckling.

Raw Sienna, Cadmium Red Deep and Ultramarine Blue

Raw Sienna, Cadmium Red Deep and Ultramarine Blue

I’m coming up for air….. just for a moment….

Hat City Kitchen ... Listening to the Blues

Hat City Kitchen … Listening to the Blues

I’ve been happily lost in the world of live music, art exhibits, travel adventures and learning how to make my own online tutorials.

The Bad Hands - 4th Annual Blues Bash

The Bad Hands – 4th Annual Blues Bash

To top it off, it’s getting warmer and I’ll be back to drawing in my garden within weeks!

Happy Spring!

Paintings: drawn first in ink with dip pen followed by watercolor, painted during live performances.

Video: demonstration of creating a color wheel for the color scheme game using raw sienna, cadmium red deep and ultramarine blue as my primaries.

I just received a copy of the video shot during last week’s demo.  It’s long, and also pretty entertaining.

Chris Carter Demo 2013 from John Wolff on Vimeo.

Thank you Essex Water Color Club!

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