Workshop


The cicada I sketched didn’t last too long after I returned it to the wild.  The next day I found its wings in the driveway.

cicada-wings-ink-watercolor-drawing-chris-carter-artist-060713-webThe cicadae mating song can reach over 100 decibels, the loudest song known in the insect world.  “The adult male cicada possesses two ribbed membranes called tymbals, one on each side of its first abdominal segment. By contracting the tymbal muscle, the cicada buckles the membrane inward, producing a loud click. As the membrane snaps back, it clicks again. The two tymbals click alternately.”

Here is the ink drawing shown in the last post …. now painted using an analogous with one complement color scheme.

17 year cicada

17 year cicada

Finally, after far too long, I am offering online critiques and private lessons….. visit my website for information and sign up.

I hope, within the next month, I will be able to offer The Color Workshop as an online option.

Thanks for your patience.

Images:  Drawn first with ink using a fountain pen, followed by watercolor.

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Coming up soon!  Both The Color Scheme Game Workshop and the Color Value Workshop is being offered back to back at the National Association for Women Artists in New York City on June 18th and 19th.  Call the N.A.W.A. office to register (212) 675-1616.  Space is limited to eight students.

Raw Sienna, Cadmium Red Deep and Ultramarine Blue

Raw Sienna, Cadmium Red Deep and Ultramarine Blue

Since teaching the last workshop at N.A.W.A. I have had several personal breakthroughs with color, experimenting with more neutralized primaries and discovering gorgeous palettes.  I also attended a fabulous workshop with Don Andrews.  Again, I experienced several important breakthroughs regarding maintaining strong color when working with color value.  I’ll be sharing these breakthroughs at the upcoming workshops in New York City.

Herman's Roping Boots

Seashells, Westmoreland State Park, VA

Seashells, Westmoreland State Park, VA

Seashells No.3, Myrtle Beach, SC

Seashells No.3, Myrtle Beach, SC

Blue Crab Belly

Blue Crab Belly

Click here for more info and materials list.  Please Contact me if you have questions.

As much as I don’t like green and red together, I think green and rose is beautiful.

Scented-rose-geranium-artist-trading-card-ACEO-ink-watercolor-chris-carter-artist-012413-sz

Scented Rose Geranium

This is the second little Artist Trading Card I have painted inspired by my Scented Rose Geranium.  Both  days I threw the die and got a Complementary Color Scheme.  Link to previous painting post.

The colors work better because the red leans toward violet and the greens lean toward yellow.  Rather than being the same value, as red and green are, pink and green offers more of a value range allowing the shapes to play more dynamically with one another.  The value difference is subtle yet effective.

I leave in the morning to teach color workshops at Village Art Supply in Santa Rosa, CA.  I hope to see some of you there!  I’m giving a free demo on Thursday evening.

Sketchbook Artist Trading Card: Scented Rose Geranium No. 2 – drawn first in ink with fountain pen, followed by watercolor

Color Scheme:  Complementary Color Scheme

When teaching workshops focused on a variety of watercolor techniques, I present the students with a project that allows for experimentation and encourages a playful, curious attitude.

Abstraction From Traced Objects

Abstraction From Traced Objects

Why don’t I set up a lovely still life for the students to work from?  Because a still life requires drawing skills that many students have not yet acquired.  By the time the students are ready to add paint to their drawings, half the class is over and the students are already discouraged.  The poor results are blamed on watercolor being a difficult medium.

One cannot be either good nor bad at tracing objects.  By placing and tracing objects in a variety of positions on the paper, numerous overlapping shapes are created from which the students can easily extract an abstract design.  Within half an hour the students are still excited about painting and are ready to begin the adventure of playing with watercolor.

On January 14th I will present this exercise on the “Tools and Techniques” blog of my website.  This is just a sneak preview.

Sketchbook Image:  Watercolor  illustrating various watercolor techniques – Wash, glaze, splatter, adding salt, lifting, and wet in wet.

Color Scheme:  Extended Analogous with one complement

Old York Cellars, En Plein Air Watercolor Painting

Old York Cellars, En Plein Air Watercolor Painting

My new website is now up and running ….. and along with it, a new blog that will focus on tools and techniques for both drawing and painting as well as weekly color exercises.

I will continue to post on this blog, with less frequency.  The feedback I receive from all of you who follow this blog inspires me to continue my journey deeper into the world of color and to create even better Color Workshops.  Thank you!

Please visit the website at ChrisCarterArt.com and let me know how you like it.  If you wish to sign up for the Website Blog on Tools and Techniques click on the ‘Blog” link at the top of the page and subscribe.  Please let me know if this is an easy process for you…. or not.

Painting:  Old York Cellars – En Plein Air Watercolor Painting.  I had forgotten about this little gem that I found when going through folders for image files to upload to the new galleries.

A quick demonstration for the ladies who attended the workshop at Village Arts Supply in Santa Rosa on Novemeber 3, 2012  ……

Eye Dropper

I started off with a simple contour drawing in permanent, fine tip marker.  Next I demonstrated how to lay down a wash by “pushing the puddle” of watercolor.  The key is to keep the puddle moving downward while the paper is slightly tipped toward you, turning the paper when you need to work around a corner.  When you reach the bottom, carefully wick away the puddle, drying your brush quickly on a paper towel or sponge between wickings.  Do not touch the surface of the paper with the brush, only the puddle itself.  Let the paper dry at a slant so the paint doesn’t move back onto a dry area.

Demonstration Painting:  “Eye Dropper” – drawn first with fine tip Sharpie marker, followed by watercolor.

Color Scheme: Analogous with Split Complements:  Yellow, Yellow-Green, Green with Red and Violet.

What a whirlwind!

Working by oil lamp

We lost power early on Monday, October 29th as Hurricane Sandy howled its way into New Jersey.  Still hoping that my plane would be able to take off on Thursday morning …. and that I would be able to get myself to the airport past fallen trees and strewn power lines, I completed preparing the materials for the Color Scheme Game Workshops scheduled in Santa Rosa, CA for Nov. 2nd and 3rd.  Oil lamps illuminated my efforts to be totally prepared.

United Club at Newark Airport

With only minor detours I wound my way down to the highway and drove through the predawn darkness to the airport, hoping to be able to make contact with the internet world as I waited for my plane departure.  No such luck.  Terminal C was without internet, but the flight was not delayed.

Village Art Supply Color Scheme Game Workshop

Color Scheme Game Workshop demonstration

Thank you Joanie Springer! for hosting and putting together two fantastic workshops!  No doubt I will be returning to Santa Rosa in the near future.  Thank you Village Arts for hosting the second workshop in the center of your bright and inspiring art store!  A great time was had by all.

Sketchbook Drawings: Top – drawn first with fountain pen filled with Noodler’s Black Ink followed by watercolor and gouache.  Middle – drawn with fountain pen filled with Sheaffer black cartridge ink. Bottom – drawn first with Sheaffer fountain pen followed by watercolor – demonstration in process at private Color Scheme Game Workshop.

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