Continuing with example of painting by color value rather than color hue …

Still Life No.3 shown in grayscale mode

After trying a few color value paintings, you might notice that paintings created by color value often fall into standard color schemes.

Still Life No. 3 in full color

Though it may appear that painting by color value is too limited, I find the possibilities to be infinite and feel more playful and inventive with each new painting.

Color Value Still Life No.3 – ink vial and paint brushes: Drawn first with dip pen using Scribal Work Shop “Siren” ink, followed by watercolor washes choosing my colors by color value rather than hue.  Example for Color Value Workshops.

Limited palette: Three tubes of watercolor paint – Aureolin, French Ultramarine Blue and Permanent Alizarin …. all Winsor Newton pigments.

As I find time I will post comments and reviews about the books I have listed on the “Book Pages”.  I welcome all comments and additional suggestions and reviews of books you have found useful, inspiring and informative.

I also welcome suggestions and reviews of equipment, tools, paints, brushes, etc.  Soon there will be pages added for easy reference for both studio and en plein air painting.