Granted, there is only one tiny piece of paper glued onto the watercolor paper, but….. that still makes it a collage.
I’m not a purest when it comes to painting. When the painting begins to take on a personality, I nurture that personality, mood, story, whatever it might be evolving into, with anything and everything I can to make it the most that it can be. In this case, the painting needed a tiny rectangle of red paper (1″ x 1.5″). The final touch was the dark orb next to the piece of red paper. Before adding those two elements, the depth of the painting was remarkably shallow. Those two elements, one because of the color contrast and the other because of the value contrast, created the illusion of extreme, infinite space. It helped to view a black and white version of the painting as it neared completion. I make a habit of viewing my paintings in black and white to avoid guessing at design problems that might be resolved with only one or two strokes.
I used a combination of brush, splatter, junk templates, mouth atomizer, saran wrap, collage, scrape and comb.
Orbs. No. 22 – Watercolor and paper, 22″ x 30″, to be included in the Healing Arts exhibit at Overlook Hospital in November.